The Painters Palette: A Theory of Tone Relations, an Instrument of Expression (Classic Reprint), by Denman Waldo Ross
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The Painters Palette: A Theory of Tone Relations, an Instrument of Expression (Classic Reprint), by Denman Waldo Ross
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Excerpt from The Painters Palette: A Theory of Tone Relations, an Instrument of ExpressionIn taking up the practice of painting, it is a question what pigments to use, how to arrange them on the palette, and then how to use the palette. Following the example of most painters, we take certain pigments; blacks, browns, reds, yellows, greens, blues, and whites; and, putting them in a row, we proceed to mix them, two or more together, quite freely, following our visual impressions or the suggestions of the imagination. In so doing we hope to produce results and effects which will be appropriate to what we have seen or to the ideas we have to express. There is no principle or law in this procedure and the effects produced depend, in every case, upon the taste and judgment of the performer; who is, necessarily, as much concerned with the problems of the palette as he is with the problem of his Motif or Subject, whether it is well chosen; of his Design, whether it is consistent; or of his Drawing, whether it is true or expressive. It is so difficult to decide what to do, in view of the great number and variety of pigments, and the infinite possibilities of mixing them together. Most painters get over the difficulty by acquiring a habit and doing the same thing repeatedly, following the precedents of their own particular practice, whatever it happens to be.Considering the Art of Music and the use of musical instruments, it seems that the musician has a great advantage over the painter in having a fixed scale of tones and definite rules for using it, - rules based on good precedents and representing the practice of recognized masters. Thinking of musical instruments and the laws of Counterpoint and of Harmony, the question comes up whether it may not be possible for the painter to convert his palette into an instrument of precision and to make the production of effects of light and color a well ordered procedure, - a procedure which everyone can understand and follow.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
The Painters Palette: A Theory of Tone Relations, an Instrument of Expression (Classic Reprint), by Denman Waldo Ross- Amazon Sales Rank: #2673430 in Books
- Published on: 2015-09-27
- Original language: English
- Number of items: 1
- Dimensions: 9.02" h x .12" w x 5.98" l, .21 pounds
- Binding: Paperback
- 60 pages
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